The fireworks at Ally pally get bigger and better every year. We needed to outdo our previous film, creating spectacle in the film itself, as well as the fireworks.
How we did it
We used hyperlapses, tight editing and slow motion to create a real sense of unpredictability and excitement in the film. Four cameras covered the show - two C200s, one FS7, and a Sony A7S.
THE FINAL CUT
The Kit List:
2x Canon C200
Samyang VDSLR Prime lenses (16, 24, 35, 50, 85mm)
Canon 70mm-200mm F4 L
Adobe Premiere Pro